The
Northeastern Woodland tribes observed many common festivals and ceremonies such
as the maple, planting, and green corn festivals, but many tribes, including
the Delaware, had an annual religious ceremony that differed from those of
other tribes. The Delaware’s supreme annual religious service was the Big House
Ceremony, in which they worshiped and
reestablished their moral relationship with their Great Spirit, Manitou.
Big House Ceremony
The
Delaware had a temple, called the Big House, which symbolized the universe and
was used exclusively for this annual ceremony. They believed that the universe consisted of 12 houses stacked one upon
the other, with Manitou residing in the 12th and highest house. When the people
entered the Big House, they visualized themselves as passing through these
twelve stacked houses to come before the great deity. Therefore they believed
that everyone who entered the Big House and everything used in it had to be
pure. No metal objects of any kind were allowed in the Big House, and ritually impure
persons, such as menstruating women, were denied entry.
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The Magic Moccasins
by Jane Barks Ross |
Forty
feet long, 14 feet high, and 24 feet wide, the building originally resembled a longhouse in form and construction,
with its front facing east and its rear facing west. By the early 1800s it was
often built of logs or boards, with gabled ends. The eastern door, facing the direction
of the rising sun and moon, represented the beginning of everything. The
western door, which faced the setting of the sun and moon, symbolized both the
end of everything and the Good White Path, which one travels from birth to
death. The building’s hard-tamped floor represented the lesser
manitou, Mother Earth, and the underworld; its four walls, the four cardinal directions; and its
vault, the sky’s dome, the domain of
the Elder Brothers, sun and moon. Two smoke holes were located in the roof, one
above each of the two sacred fires.
The great central post supporting
the roof’s ridge pole represented Manitou’s staff, on which his hand rested and
through which he transmitted power to the Delaware. A carved face hung on its
east and west sides. A single smaller carved face also decorated the 6 smaller
posts that supported the roof along the building’s north and south sides as
well as the posts of the 2 doors. These faces weren’t the object of worship,
but simply served as channels for worship. All of them were painted red on the
right side and black on the left, with red symbolizing life and black, death.
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From The Magic Moccasins by Jane Barks Ross |
The
leader, or “Bringer-in,” managed every aspect of the ceremony. The 6 ceremonial
attendants he appointed—1 man and 1 woman from each of the tribe’s 3 divisions,
Wolf, Turkey, and Turtle—camped in tents on the square yard at the eastern end
of the Big House, the men on the north and the women on the south side during
the 12 days of the ceremony. On the first night the 3 male attendants built two
fires of elmwood using the sacred fire drill reserved for that purpose. When the fires were lit the 3 female
attendants entered and swept turkey wing fans on both sides of the fires 12
times to banish all dirt and evil influences from the building and to open a
road to heaven. Two guards were stationed outside the building.
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Big House and Encampment
from The Magic Moccasins by Jane Barks Ross |
For
the ceremony, all the people, including visitors, camped outside the Big House beyond the attendants’
tents, arranged by gender, tribal division, and sex. During the
day the people spent their time in games and other activities, and the women cooked the hominy, corn mush, meat, and
berries for the nightly feasts in large kettles as well as food for daily meals.
When it came time for the ceremony, adults and children old
enough to stay quiet entered the Big House by the eastern door, dressed in
their finest clothing. Everyone sat in separate sections according to their
tribal division, with the men and women seated separately within their sections.
The Bringer-In or leader, the
attendants, and the drummers occupied separate places of distinction. Two
drummers began the ceremony by beating on a rolled up deer hide on which wooden
slats were tied. This was followed by a long prayer of thanksgiving to Manitou.
Dreams and visions are very important among the native
peoples, and the first 11 nights of the ceremony were devoted primarily to reciting
visions as a form of worship. The Bringer-in began the service by chanting his
story while dancing and shaking a turtle shell rattle, accompanied by the
singers and drummers. One at a time other mature men took turns reciting their
visions and leading the songs and dances. The hard-trodden dancing path that
led counterclockwise from the east door down the north side, past the fires to
the west door, then doubled back on the south side to its beginning symbolized the
Good White Path, down which man winds his way to the western door where all
ends. Dancers paused at each carved
face to recite verses to them. Between the dances both men and women swept the
Good White Path twelve times with turkey wings, recited prayers to the Manitou
twelve times, and smoked tobacco. Bowls of food were passed around counterclockwise,
with each person taking only one spoonful so everyone could share. The dances
continued until no one else wished to take up the rattle and recite their
vision.
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Misinghalikun, from The Magic Moccasins by Jane Barks Ross |
On
the 4th day, ceremonial hunters went out, and that night the Mask Being, or Misinghalikun, the creator and
keeper of game animals, appeared to lead the Mask Spirit Dance. The person
impersonating him appeared frightening and imposing wearing a floor-length bearskin
coat and a great wooden face painted red on the right side and black on the
left and carrying a stick, a turtle-shell rattle, and a bearskin bag. Around
the 6th or 7th day the hunters
returned, bringing in more meat for the nightly feasts.
On
the 9th night the fires were allowed to go out. The ashes were
carried out the Big House’s western door, and new fires were kindled with the
sacred fire drill. The carved images in the Big House and the face images on
the drumsticks received a fresh coat of paint. Then the cheeks and foreheads of
the participants were rubbed with red in a sacred rite of consecration.
On the final night of the ceremony, the
women danced and recited their
visions. In the morning the fires were extinguished, first the eastern fire and
then the western fire. The ashes were thrown out the western door, then the
participants filed out the eastern door to form a row north and
south facing east. Everyone cried out the prayer word “Ho-o-o” in unison six
times standing and 6 times kneeling, then the ceremony was concluded and the
Big House closed up for another year.
Do
you see any similarities in the Delaware’s religious beliefs and worship to
Judeo-Christian beliefs and practice? If so, what are they?
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